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Post by antonio on May 1, 2020 15:19:00 GMT
Pleased you like your Oppo, and it gives you time to maybe hear a couple of dac's even though you mention the RME. I would certainly put this on my list as well as the Topping and a Matrix.
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Post by Deleted on May 1, 2020 15:30:22 GMT
No! I'm not buying any more power amps regardless of how big or small they are. Stop egging me on! Get a 686 Macca....you can officially retire then from HiFi lol.. The Benchmark would look lost in your room. Better buy two then?
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Post by Bigman80 on May 1, 2020 16:00:29 GMT
Get a 686 Macca....you can officially retire then from HiFi lol.. The Benchmark would look lost in your room. Better buy two then? It's an option lol
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Post by macca on May 1, 2020 16:34:42 GMT
Pleased you like your Oppo, and it gives you time to maybe hear a couple of dac's even though you mention the RME. I would certainly put this on my list as well as the Topping and a Matrix. I want the EQ though and the other two don't have that.
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Post by Deleted on May 1, 2020 21:40:53 GMT
Okay so had a bit of a session last night. Bruce you are right. Started out listening to Erikah Badu 'Mama's Gun', just had it on in the background. Was reading some nonsense on the internet but about three songs in I noticed I was having trouble concentrating on what I was reading as the sound was demanding my attention. So gave up on the nonsense and started having a proper listen. It's a great record but I don't play it that much so I'm not 'intimate' with it. Some of the sparser tracks were very well presented. The Oppo is not as sweet-sounding as the Sony XB970QS. I liked the sweet sound of that player but on occasion I'd be laughing to myself as it was just too sweet to be real. None of that here with the Oppo but it was not a 'hard' sound either. Then put on that old test favourite 'Brothers In Arms.' Bought this on vinyl the week it came out, so 35 years and a lot of plays, although I've since graduated to the re-mastered CD. But I know it well. This was bit of a revelation. In truth I wasn't expecting there to be much, if any difference to how this sounds on the Pioneer DVD565A. Wrong! The first tune. 'So Far Away' was ruthlessly stripped back to its component parts. The vocal was astonishingly clear, not heard this before with any of my dozens of cd players. I'd describe the sound characteristics of this player as dry and architectural. There's no rosy glow or syrup added to the sound at all. I was playing just at the level where there's a bit of 'bite' to the sound - every system has that point - but no louder. There was no harshness or grain at all, backgrounds were black. Blacker than the Pioneer could manage. Now the Sony can do that lack of noise too but as I said, it is sweeter. The Oppo is closer to unadulterated studio playback. 'Brothers' is an early digital recording and it has that 'sheen' to it. Not unpleasant but it is in the character of the recording. The Krell is pretty warm sounding and ameliorates this a bit. Coupled with a warm player and you don't get it at all. I don't like that, I like to hear the individual character of recordings. I don't want the same sauce poured over everything. The Oppo was able to cut through the Krell's warmth a bit and present the 'sheen', although not entirely truthfully. But that's the Krell's colouration, not the cd player. Was getting late but thought I would manage one more album and no session is complete without some Dan, so put on 'The Royal Scam'. A good analogue recording from 1976. Another one I know very well having been a fanatical Dan fan since an old hippy speed-freak introduced me to them back in 1990. Was not prepared for this. This album has never particularly impressed me either as a recording or musically compared to Aja and Gaucho. Until last night. The vocal was so present and so real it was actually eerie on occasion. Amazing dynamics. Cavernous soundstage. Really not heard this album like this ever before. The final tune, the title track, which I've never cared for had me gripped on every note. The differences between this '76 analogue recording and the 1985 digital 'Brothers In Arms were quite pronounced. Even though both are great recordings, I like to hear that difference. It shows you're on the right track to neutrality. By the time that finished it was 2300 so had to - very reluctantly -pack it in for the night. So yes, I was wrong, there is quite a big difference between what this Oppo can do compared to the humble Pioneer. I was hoping for a small improvement at best but this is quite a big improvement. It's dry, it's architectural, it's exactly how I like it. I've no doubt that if I could swap the Krell 100 for it's smaller, more neutral-sounding cousin the 50S I'd be almost as close to as neutral a playback as it's possible to get (the 50s is a bit warm in the bass). But as it is I can live with this for the moment. I'm surprised and quite pleased. What a great upgrade for just £230! Never heard your new player, but it was an easy enough assumption to make. The Technics is not exactly the last word in detail retrieval and resolution. Having said that, I still like it. It was the first CD player I heard and was happy with. Back in the day a valuable piece of advice offered by a certain someone was: the true worth of a piece of HiFi could be summed up by asking yourself: Can I live with it - longterm? It's easy to be seduced by something spounding initially impressive - Listen to that top-end shimmer. Vocals really sound tangible. Feel that bass-end grunt. But as time wears on, you begin to become less enamoured with the overall sound of what you're hearing. I love using the Technics. I love the interaction. I have a Pioneer Blu Ray/SACD/DVD-A/3D player the same as Martin T has that I got for £80. I've never actually compared it to the Technics. I can imagine that it probably betters it in terms of neutrality and resolution - but the interaction isn't there as the the build quality just doesn't compare to the Technics. When it was new, it cost £1000 I think. A Meridian 207 cost the same; that too is a pleasure to use. Recently I got a faulty Musical Fidelity X Ray v3. This too was £1000 when it came out and was supposed to be the automatic choice in that price range. No idea what it sounds like with it's upscaling, but still doesn't have the appeal of the Technics, although it has a minimalist quality about it. Brothers In Arms. When the cd came out it was said that vinyl lovers wouldn't take to the sound with it being all digital. When I got the cd, I didn' - still don't. Quite sometime later I got the single So Far Away, and I was stunned at the difference in how it sounded, being note dynamic and bass having greater extension and wallop. Some will say it's all just colouration. Fair enough. I'll settle for the colouration over the CD any day.
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Post by macca on May 2, 2020 7:47:33 GMT
Yes I also love the Technics, how it looks and as you say, the interaction. I still think the BBC version I had was better than the other two but it's so long ago now I can't be sure plus my system now is entirely different - and much improved. I was using a Sony XB790QS as my daily driver which is a SACD player and really was entirely happy with that until it started playing up. That was better than the SLP1200 I've no doubt but I'm not talking big differences. I prefer the CD version of 'Brothers...' There's nothing wrong with the sound of the vinyl LP but with the CD you get the full length version of 'Latest Trick' and 'Why Worry'. I love the extended outro to 'Why Worry' especially. I have the 12'' single of 'Money For Nothing' which I swapped with Nobby Clarke back in the fifth form, can't recall what he got in return. It does indeed sound amazing. 45 RPM mate, it's where the real action is with vinyl
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Post by antonio on May 2, 2020 13:42:52 GMT
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Post by jandl100 on May 2, 2020 14:36:46 GMT
45 RPM mate, it's where the real action is with vinyl Oooo, you wind-up merchant. Quite true, though, 33rpm is so obviously compromised compared to 45 you have to wonder why people bother.
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Post by macca on May 2, 2020 15:32:46 GMT
I did buy a 45rpm album once, two discs. Stupidly I left it a couple of months before listening to it and when I took the records out they were so warped they were unplayable.
One of the many things I do like about cd - and cassette before it - is that you get to listen to the whole album without the interruption half-way through. With the 45rpm two disc idea it's 3 interruptions.
They should have made Lps 18 inches instead of 12 then they could have fitted it all on at 45rpm. It just wasn't properly thought through. I suppose back then all the audiophiles were using quarter inch tape at 15ips so 33 and a third vinyl was considered more than good enough for the proles. A bit like 128kbps is now.
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Post by jandl100 on May 2, 2020 15:44:12 GMT
I did buy a 45rpm album once, two discs. Stupidly I left it a couple of months before listening to it and when I took the records out they were so warped they were unplayable. It was probably a bad idea to keep them on the radiator in winter.
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Post by macca on May 2, 2020 16:01:37 GMT
Yes I should really stop storing my vinyl there.
Wait a minute I don't even have central heating!
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Post by macca on May 3, 2020 8:34:47 GMT
had another long listen last night, got through quite a few albums.
Boston Dire Straits eponymous debut ZZ Top - Eliminator Daft Punk - Random Access Memories Donald Fagen - The Nightfly
I notice that on the Dire Straits, first tune 'Down To The Waterline' those cymbal shimmers in the intro sounded metallic rather than 'shushy' as they were before. This is really the big difference, the sound with the Oppo is crisper across the board and offsets the slight softness of the Krell. So it's a much more balanced sound even though it is still too smooth to be entirely neutral.
With ZZ Top I noticed the bass is a little bit soft - but I know what is causing this and I can fix it*. Likewise with Daft Punk although the system did give a good rendition of the bass on that one, sounded like the bass in a fancy club system, which is how it's supposed to be.
'The Nightfly' was monumental. Hard to get a system together that make this album sound bad (although I have managed it a couple of times), can't fault it with this set up though.
I'm appreciating more what the Krell can do now. It is 'velvety' in character but now I have that crispness back what was a problem turns into a positive. It's ideal for a long, relaxing session of listening to music, it never gets too much but all the detail is there. Maybe the top-end is still a little recessed but I think now this is a frequency response issue rather than one of quality. My room is over-damped, I knew that already. So I think a little EQ will sort that out. Going to have another look at getting that RME DAC.
*before the Oppo arrived I'd swapped the Spotfire interconnects for the Klotz MC500 in the hope of opening up the top end a little (it didn't) and I forgot to change back to the Spotifres. The Spotfires are noticeably better in the bass.
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Post by Bigman80 on May 3, 2020 8:57:27 GMT
had another long listen last night, got through quite a few albums. Boston Dire Straits eponymous debut ZZ Top - Eliminator Daft Punk - Random Access Memories Donald Fagen - The Nightfly I notice that on the Dire Straits, first tune 'Down To The Waterline' those cymbal shimmers in the intro sounded metallic rather than 'shushy' as they were before. This is really the big difference, the sound with the Oppo is crisper across the board and offsets the slight softness of the Krell. So it's a much more balanced sound even though it is still too smooth to be entirely neutral. With ZZ Top I noticed the bass is a little bit soft - but I know what is causing this and I can fix it*. Likewise with Daft Punk although the system did give a good rendition of the bass on that one, sounded like the bass in a fancy club system, which is how it's supposed to be. 'The Nightfly' was monumental. Hard to get a system together that make this album sound bad (although I have managed it a couple of times), can't fault it with this set up though. I'm appreciating more what the Krell can do now. It is 'velvety' in character but now I have that crispness back what was a problem turns into a positive. It's ideal for a long, relaxing session of listening to music, it never gets too much but all the detail is there. Maybe the top-end is still a little recessed but I think now this is a frequency response issue rather than one of quality. My room is over-damped, I knew that already. So I think a little EQ will sort that out. Going to have another look at getting that RME DAC. *before the Oppo arrived I'd swapped the Spotfire interconnects for the Klotz MC500 in the hope of opening up the top end a little (it didn't) and I forgot to change back to the Spotifres. The Spotfires are noticeably better in the bass. I'm confused? You swapped the Spotfires to Klotz to open up the top end? That is never going to work! The Klotz are rather veiled and certainly dont have the Transparency that youd need to really bring the detail out in the bass either. The smooth velvet sound of thebKrell will never be overcome either, as that's its sound. You may be able to help it by taking those AN caps out and putting some Panasonic caps in, as I have done that too. Just went opposite to you as that's how it sounded with the original caps. Just not as good. I write this as a long time user of both cables, and someone who has owned your preamp and amplifier, not the maker of the cables.
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Post by antonio on May 3, 2020 9:02:18 GMT
Nice to hear your Oppo is giving a little bit more of what you want. I always assumed the Klotz cable to be more rounded of at the top end compared to the Spotfire, don't know why really, I've never heard them.
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Post by macca on May 3, 2020 9:11:11 GMT
had another long listen last night, got through quite a few albums. Boston Dire Straits eponymous debut ZZ Top - Eliminator Daft Punk - Random Access Memories Donald Fagen - The Nightfly I notice that on the Dire Straits, first tune 'Down To The Waterline' those cymbal shimmers in the intro sounded metallic rather than 'shushy' as they were before. This is really the big difference, the sound with the Oppo is crisper across the board and offsets the slight softness of the Krell. So it's a much more balanced sound even though it is still too smooth to be entirely neutral. With ZZ Top I noticed the bass is a little bit soft - but I know what is causing this and I can fix it*. Likewise with Daft Punk although the system did give a good rendition of the bass on that one, sounded like the bass in a fancy club system, which is how it's supposed to be. 'The Nightfly' was monumental. Hard to get a system together that make this album sound bad (although I have managed it a couple of times), can't fault it with this set up though. I'm appreciating more what the Krell can do now. It is 'velvety' in character but now I have that crispness back what was a problem turns into a positive. It's ideal for a long, relaxing session of listening to music, it never gets too much but all the detail is there. Maybe the top-end is still a little recessed but I think now this is a frequency response issue rather than one of quality. My room is over-damped, I knew that already. So I think a little EQ will sort that out. Going to have another look at getting that RME DAC. *before the Oppo arrived I'd swapped the Spotfire interconnects for the Klotz MC500 in the hope of opening up the top end a little (it didn't) and I forgot to change back to the Spotifres. The Spotfires are noticeably better in the bass. I'm confused? You swapped the Spotfires to Klotz to open up the top end? That is never going to work! The Klotz are rather veiled and certainly dont have the Transparency that youd need to really bring the detail out in the bass either. The smooth velvet sound of thebKrell will never be overcome either, as that's its sound. You may be able to help it by taking those AN caps out and putting some Panasonic caps in, as I have done that too. Just went opposite to you as that's how it sounded with the original caps. Just not as good. I write this as a long time user of both cables, and someone who has owned your preamp and amplifier, not the maker of the cables. Well like I said it didn't work but I thought it was worth a try! Experimentation is the key to success and all that. I didn't get where I am today by not experimenting! I just forgot I had done the swap that's all. I will put the proper interconnects back in, promise. Actually it is interesting with the Krell 100. I think in your system its velvety character offset the rather raucous nature of those vintage Pioneers so you got balance. In my system, especially with the very smooth-sounding Sony SACD player, it was all just too much. Plus I was fresh from the KSA50S which is not at all velvety and where the smooth sound of the player balanced things the other way.
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Post by macca on May 3, 2020 9:17:16 GMT
Nice to hear your Oppo is giving a little bit more of what you want. I always assumed the Klotz cable to be more rounded of at the top end compared to the Spotfire, don't know why really, I've never heard them. For whatever reason introducing the Oppo has tipped the system over from a good sound into a great sound. I'm very happy with what it is doing.
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Post by Bigman80 on May 3, 2020 9:22:13 GMT
I'm confused? You swapped the Spotfires to Klotz to open up the top end? That is never going to work! The Klotz are rather veiled and certainly dont have the Transparency that youd need to really bring the detail out in the bass either. The smooth velvet sound of thebKrell will never be overcome either, as that's its sound. You may be able to help it by taking those AN caps out and putting some Panasonic caps in, as I have done that too. Just went opposite to you as that's how it sounded with the original caps. Just not as good. I write this as a long time user of both cables, and someone who has owned your preamp and amplifier, not the maker of the cables. Well like I said it didn't work but I thought it was worth a try! Experimentation is the key to success and all that. I didn't get where I am today by not experimenting! I just forgot I had done the swap that's all. I will put the proper interconnects back in, promise. Actually it is interesting with the Krell 100. I think in your system its velvety character offset the rather raucous nature of those vintage Pioneers so you got balance. In my system, especially with the very smooth-sounding Sony SACD player, it was all just too much. Plus I was fresh from the KSA50S which is not at all velvety and where the smooth sound of the player balanced things the other way. Lol, yes....reprimand on the way for even considering a cable swap lol I think you're right. The velvety Krell certainly sounded very good with those lovely pioneers. I still love them BTW, just no longer own any lol The important thing is that you are now getting a sound you are enjoying. Those Oppo disc spinners have a great rep. I think that the external DAC may bring another level of Transparency but that's only a hope, rather than based on any fact. Be interesting to know how the oppo measured versus the DAC?
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Post by macca on May 3, 2020 9:45:59 GMT
I can't find any measurements for the Oppo.
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Post by Bigman80 on May 3, 2020 10:25:21 GMT
I can't find any measurements for the Oppo. Nor can i
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Post by macca on May 3, 2020 10:34:15 GMT
It's a budget Home Theatre product so it isn't that surprising. Not on any audiophile's radar.
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Post by macca on May 9, 2020 12:11:40 GMT
last night I remembered to try the Spotfire cables before I sat down for a listen.
And yes there was a positive result - more sparkle, more crunch, more of everything really. Now sounds very close to what I had with the KSA50S and Sony XB790QS. Not exactly the same but so close I wouldn't want to have to tell them apart with money at stake.
So what is happening here?
Sony - DCB1 - Krell KSA50s- Spotifre - audio Nirvana.
Swap the amplifiers, replacing KSA50s with the KSA100 MK2 - everything else the same - soft and a bit shut in.
Swap the CD player from Sony to Oppo, everything else the same - audio nirvana again.
Does that mean the Oppo with the KSA50S would be too much? Or would it be even better than Sony/KSA50s? No way to find out until the 50S is fixed. But it makes no sense. Can't be frequency resposne as I've no doubt both Oppo and Sony players would measure flat right the way up, as almost all CD players do. I'm at a loss to explain.
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Post by Bigman80 on May 9, 2020 12:27:43 GMT
last night I remembered to try the Spotfire cables before I sat down for a listen. And yes there was a positive result - more sparkle, more crunch, more of everything really. Now sounds very close to what I had with the KSA50S and Sony XB790QS. Not exactly the same but so close I wouldn't want to have to tell them apart with money at stake. So what is happening here? Sony - DCB1 - Krell KSA50s- Spotifre - audio Nirvana. Swap the amplifiers, replacing KSA50s with the KSA100 MK2 - everything else the same - soft and a bit shut in. Swap the CD player from Sony to Oppo, everything else the same - audio nirvana again. Does that mean the Oppo with the KSA50S would be too much? Or would it be even better than Sony/KSA50s? No way to find out until the 50S is fixed. But it makes no sense. Can't be frequency resposne as I've no doubt both Oppo and Sony players would measure flat right the way up, as almost all CD players do. I'm at a loss to explain. Macca, abandon the old Krells..... Buy a Neurochrome 686...get Alan to build it for you. Upgrade the DCB1 to one of the current crop and have it Hot Rodded or wait until my buffer Project gets going and try one of those. Keep your Spotfires in at all times....seriously, why would you take them out lol Keep the OppO, MAYBE add a DAC with some files for fun. Then coupled with your fantastic speakers, you could relax knowing that nothing else you do is gonna be better, only different. When this Lockdown is Over, I'll try and get up to yours and we'll put the Neurochrome Pre in and the 686 and the Krell will be for sale before I get home...I promise you.
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Post by macca on May 9, 2020 13:32:45 GMT
Okay we'll do that. I want to see what this Neurochrome is all about.
Am I right in thinking that you sold the Krell before you got your new speakers? Or was it afterwards?
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Post by antonio on May 9, 2020 14:20:03 GMT
The sale of one of the Krell amps would the cost of a Neurochrome?
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Post by macca on May 9, 2020 14:47:47 GMT
Dunno. I don't have a scooby what a Neurochrome costs. About three grand maybe? Everything seems to cost about three grand these days.
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Post by Bigman80 on May 9, 2020 15:16:09 GMT
Okay we'll do that. I want to see what this Neurochrome is all about. Am I right in thinking that you sold the Krell before you got your new speakers? Or was it afterwards? Before mate...way before
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Post by firebottle on May 9, 2020 15:21:14 GMT
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Post by Bigman80 on May 9, 2020 15:41:21 GMT
Dunno. I don't have a scooby what a Neurochrome costs. About three grand maybe? Everything seems to cost about three grand these days. You can build a 686 for about half that. It would not have all the frills that Neurochrome sells, like guardian boards etc, but i am not interested in all that flab anyway. A simple PSU inside and two boards and a big enough case, could be done for £1500 ish. Then add a bit of labour for the builder and i am 100% confident that flogging the Krell KSA100 would cover it and leave change towards your DAC purchase. I wouldn't bother with the 286 in all honesty....not because it isn't good, because it is, but your speakers deserve power. Give it to them and have your mind opened to the wondrous sound on offer.
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Post by sq225917 on May 9, 2020 15:45:57 GMT
Do it
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Post by macca on May 9, 2020 16:21:20 GMT
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