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Post by Deleted on Apr 27, 2020 11:22:41 GMT
The one I had before the Rega Martin was a current production Accuphase and it left me cold. I can't understand how anyone could rate them. Build was beautiful, specs were spot on but it didn't convey music with any sort of realism...you were left listening to a flat 2 dimensional wall of obvious grainy digital sound which I found overly bright and not that great in the bass department. I vowed then never to waste big money on any CDP but to stick with a reliable transport and use a DAC which is really what the Rega was bought for (ie a transport). The Accuphase was also a little fussy about which discs it wanted to read. I'm currently using a Xiang Sheng DAC-01A which I really rate alongside some MUCH more expensive competition. You have the choice of a very neutral SS DAC output stage or a valve buffered output and it'll stream from file sources as well as take signal from a CDP transport. tbh it betters the Rega DAC...it is more neutral. Mine was German sourced an has been utterly reliable for a good few years (I don't think you heard that one Martin as it was just the CDP we used). I think that Jerry has also had a version of this DAC (they did 10 versions over two separate companies!). They do vary a little in design but a cursory check inside reveals some tidy circuit work and quality components. I think that mine uses the AK4418 decoder. Apparently measured distortion via the valve buffer (as expected with a NOS output) isn't great at 0.1% THD which for any DAC isn't great but the SS output is better and the acid test is it sounds "right" at least to my ears. Very balanced. Picture of a similar one's insides:
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Bigman80
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Post by Bigman80 on Apr 27, 2020 11:45:23 GMT
Been offered one of these Oppos download.oppodigital.com/BDT101CI/OPPO%20BDT-101CI%20for%20Integrator%20v1.0.pdf for a fair price so have gone for it. Not new but hardly had any use and they have a good rep for reliability. Should be a good candidate as a transport too and there's plenty left in the budget to get a fancy external DAC if I feel the need. Thanks to everyone for all the suggestions, much appreciated. I think an external DAC option if you feel it necessary, is a good option to have. Oppo seem well regarded too so not a bad move at all.
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Bigman80
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The HiFi Bear/Audioaddicts/Bigbottle Owner
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Post by Bigman80 on Apr 27, 2020 11:49:30 GMT
The one I had before the Rega Martin was a current production Accuphase and it left me cold. I can't understand how anyone could rate them. Build was beautiful, specs were spot on but it didn't convey music with any sort of realism...you were left listening to a flat 2 dimensional wall of obvious grainy digital sound which I found overly bright and not that great in the bass department. I vowed then never to waste big money on any CDP but to stick with a reliable transport and use a DAC which is really what the Rega was bought for (ie a transport). The Accuphase was also a little fussy about which discs it wanted to read. I'm currently using a Xiang Sheng DAC-01A which I really rate alongside some MUCH more expensive competition. You have the choice of a very neutral SS DAC output stage or a valve buffered output and it'll stream from file sources as well as take signal from a CDP transport. tbh it betters the Rega DAC...it is more neutral. Mine was German sourced an has been utterly reliable for a good few years (I don't think you heard that one Martin as it was just the CDP we used). I think that Jerry has also had a version of this DAC (they did 10 versions over two separate companies!). They do vary a little in design but a cursory check inside reveals some tidy circuit work and quality components. I think that mine uses the AK4418 decoder. Apparently measured distortion via the valve buffer (as expected with a NOS output) isn't great at 0.1% THD which for any DAC isn't great but the SS output is better and the acid test is it sounds "right" at least to my ears. Very balanced. Picture of a similar one's insides: Had one...had it Modded by Alan. Felt it was good for the money but it really is a few steps back in terms of separation and Detail retreival, from a well setup PecanPi and RPI combination. The PecanPi doesn't suffer from that seemingly all too common "Digital sound" It's very much on the right path to Digital acceptance me. More people really should be on this bandwagon. I put about £350-400 into it and it would destroy the dreams of most analogue guys.
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Post by Deleted on Apr 27, 2020 12:22:37 GMT
I'd be interested in the details Oli. Sorry for thread drift...
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Post by macca on Apr 27, 2020 12:45:51 GMT
Hi Paul I had a borrow of the Xiang Sheng from Jerry some time ago now. On the whole I thought it was a mixed bag. Good mid and top, poor in the bass. I think it had the tube output switched out but can't recall for certain. Plus it has a pre-amp section which was redundant in my set up as I was already using a passive pre-amp. A version without the valve stage and without the pre-amp section would be worth a go I think. But there are so many DACS out there now that measure - in practical terms - perfectly it's all a bit moot. I'm not chasing a sound signature I like, I'm chasing transparency to the recording. And before you say that's a fool's errand I actually did have that - or close enough to it that I was happy - until my KSA50S and Sony XB790 CDP both died. So it is possible. Interesting that the Accuphase was a bit crap. I do like the appearance and build quality of their equipment. ASR tested one of their integrated amps and it was nothing special measurement wise www.audiosciencereview.com/forum/index.php?threads/review-and-measurements-of-accuphase-e-270-amplifier.6220/
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Post by sq225917 on Apr 27, 2020 12:46:37 GMT
The Arcam 192 features a version of the DCS ring dac, not your old fashioned sounding Arcam sound.
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Post by Deleted on Apr 27, 2020 13:27:03 GMT
Hi Paul I had a borrow of the Xiang Sheng from Jerry some time ago now. On the whole I thought it was a mixed bag. Good mid and top, poor in the bass. I think it had the tube output switched out but can't recall for certain. Plus it has a pre-amp section which was redundant in my set up as I was already using a passive pre-amp. A version without the valve stage and without the pre-amp section would be worth a go I think. But there are so many DACS out there now that measure - in practical terms - perfectly it's all a bit moot. I'm not chasing a sound signature I like, I'm chasing transparency to the recording. And before you say that's a fool's errand I actually did have that - or close enough to it that I was happy - until my KSA50S and Sony XB790 CDP both died. So it is possible. Interesting that the Accuphase was a bit crap. I do like the appearance and build quality of their equipment. ASR tested one of their integrated amps and it was nothing special measurement wise www.audiosciencereview.com/forum/index.php?threads/review-and-measurements-of-accuphase-e-270-amplifier.6220/The Accuphase incorporated an extremely complex double sided piggy-back circuit board split between transport control and decoding, a very high quality filtered power supply and high quality transport system. The chassis and overall finish was very high quality. Test measurements were as good as it got for that specific model: It had good separation and whilst on paper looked like it measured flatter than a witches whatsit, the reality was that it was thin, sharp and very "digital" sounding with most materials. Like you I do actually value incisive and detailed players but not if that comes at the loss of overall tonal balance and soundstage depth. I have no doubt that DACs have come a long long way since I bought my Xiang Sheng, but I have no real urge to upgrade that just yet. I have another ZYX cartridge to put some money into along with completing my BB3 phonostage and I'd like to try another MM and perhaps sell on my (low hours) MP-500. Whilst there's little doubt that a really well recorded and mastered digital source, even 16/44 will outstrip most vinyl for accuracy, the odd thing is that very few seem to succeed in providing the depth or breadth of image and timbrel finesse you can achieve with a really well cut LP...perhaps more a reflection on mastering. Nothing, at any price I've ever heard comes close to one of my Mike Valentine direct cut LPs for absolute realism, and here, I'm qualified to do that comparison as I've heard this particular piece using a very similar orchestration live. It's taken a reasonable investment in the analogue front end and speakers to achieve this but I've always been a little dissatisfied with most digital sources I've tried including a Hi Res 24bit player I once had. Perhaps it's time to dip my toe into the digital domain afresh but I value many of the classical recordings that I own and many are simply not transcribed to digital (for those specific recordings) so analogue will always remain an important part of the system. I'll follow your journey with interest to see what you end up with Martin.
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Post by antonio on Apr 27, 2020 13:29:36 GMT
Hope you find the Oppo to your liking Macca, I guess what's needed most is the cd mech, you can always upgrade with an external dac.
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Post by macca on Apr 27, 2020 19:21:22 GMT
Should be here on Wednesday Dave so we'll find out then. I'll finally be able to play my DVD-A copy of Gaucho! if I can find it.
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Post by antonio on Apr 28, 2020 4:39:29 GMT
Every cloud has a silver lining.
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Post by macca on Apr 29, 2020 16:09:56 GMT
Oppo is here, like new in original box with all the bits:
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Post by jandl100 on Apr 29, 2020 16:25:04 GMT
and ..... howzit sound? Probably needs to run in. It's nice to see that it feels at home already.
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Post by macca on Apr 29, 2020 16:28:38 GMT
Only had it on in the background for an hour or two whilst I was working and I've only had one ear on it so can't give a proper verdict yet.
Fist impressions, it's quite a crisp, clean sound. Low level details seem quite obvious. Sounds less 'noisy' than the Pioneer somehow.
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Bigman80
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The HiFi Bear/Audioaddicts/Bigbottle Owner
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Post by Bigman80 on Apr 29, 2020 16:34:02 GMT
Only had it on in the background for an hour or two whilst I was working and I've only had one ear on it so can't give a proper verdict yet. Fist impressions, it's quite a crisp, clean sound. Low level details seem quite obvious. Sounds less 'noisy' than the Pioneer somehow. Looks nice enough actually. Fingers crossed for good reports.
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Post by macca on Apr 29, 2020 16:54:24 GMT
Good build quality, comes with its own little bag like a laptop bag. And the cables in a little box like you'd get a watch in or something. Don't know how they did it for the money.
I'll have a proper session on it at the weekend, give a verdict then. But seems promising. Only thing I don't like is the controls being black on black. Give me a pro player layout any day with the buttons all colour coded. Not a deal breaker ofc.
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Post by antonio on Apr 30, 2020 4:35:40 GMT
Good news so far then, hope it continues.
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Post by Deleted on Apr 30, 2020 15:27:06 GMT
Does look nice.
And gotta sound better than the old Technics!...
Surely!?!
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Post by macca on Apr 30, 2020 16:56:00 GMT
The SLP1200? Well it doesn't sound exactly the same as it.
Going to give it a proper run out tomorrow as got the day off. Don't like to give a verdict without playing a wide range of music first. Well, as wide as my tastes stretch anyway.
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Post by Deleted on Apr 30, 2020 20:13:39 GMT
The SLP1200? Well it doesn't sound exactly the same as it. Going to give it a proper run out tomorrow as got the day off. Don't like to give a verdict without playing a wide range of music first. Well, as wide as my tastes stretch anyway. I don't imagine it does. I would imagine it sounding more detailed and analytical.(The Oppo, that is.)
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Post by macca on May 1, 2020 8:10:44 GMT
Okay so had a bit of a session last night. Bruce you are right.
Started out listening to Erikah Badu 'Mama's Gun', just had it on in the background. Was reading some nonsense on the internet but about three songs in I noticed I was having trouble concentrating on what I was reading as the sound was demanding my attention. So gave up on the nonsense and started having a proper listen. It's a great record but I don't play it that much so I'm not 'intimate' with it. Some of the sparser tracks were very well presented.
The Oppo is not as sweet-sounding as the Sony XB970QS. I liked the sweet sound of that player but on occasion I'd be laughing to myself as it was just too sweet to be real. None of that here with the Oppo but it was not a 'hard' sound either.
Then put on that old test favourite 'Brothers In Arms.' Bought this on vinyl the week it came out, so 35 years and a lot of plays, although I've since graduated to the re-mastered CD. But I know it well. This was bit of a revelation. In truth I wasn't expecting there to be much, if any difference to how this sounds on the Pioneer DVD565A. Wrong!
The first tune. 'So Far Away' was ruthlessly stripped back to its component parts. The vocal was astonishingly clear, not heard this before with any of my dozens of cd players. I'd describe the sound characteristics of this player as dry and architectural. There's no rosy glow or syrup added to the sound at all. I was playing just at the level where there's a bit of 'bite' to the sound - every system has that point - but no louder. There was no harshness or grain at all, backgrounds were black. Blacker than the Pioneer could manage. Now the Sony can do that lack of noise too but as I said, it is sweeter. The Oppo is closer to unadulterated studio playback.
'Brothers' is an early digital recording and it has that 'sheen' to it. Not unpleasant but it is in the character of the recording. The Krell is pretty warm sounding and ameliorates this a bit. Coupled with a warm player and you don't get it at all. I don't like that, I like to hear the individual character of recordings. I don't want the same sauce poured over everything. The Oppo was able to cut through the Krell's warmth a bit and present the 'sheen', although not entirely truthfully. But that's the Krell's colouration, not the cd player.
Was getting late but thought I would manage one more album and no session is complete without some Dan, so put on 'The Royal Scam'. A good analogue recording from 1976. Another one I know very well having been a fanatical Dan fan since an old hippy speed-freak introduced me to them back in 1990.
Was not prepared for this. This album has never particularly impressed me either as a recording or musically compared to Aja and Gaucho. Until last night. The vocal was so present and so real it was actually eerie on occasion. Amazing dynamics. Cavernous soundstage. Really not heard this album like this ever before. The final tune, the title track, which I've never cared for had me gripped on every note.
The differences between this '76 analogue recording and the 1985 digital 'Brothers In Arms were quite pronounced. Even though both are great recordings, I like to hear that difference. It shows you're on the right track to neutrality.
By the time that finished it was 2300 so had to - very reluctantly -pack it in for the night.
So yes, I was wrong, there is quite a big difference between what this Oppo can do compared to the humble Pioneer. I was hoping for a small improvement at best but this is quite a big improvement. It's dry, it's architectural, it's exactly how I like it. I've no doubt that if I could swap the Krell 100 for it's smaller, more neutral-sounding cousin the 50S I'd be almost as close to as neutral a playback as it's possible to get (the 50s is a bit warm in the bass). But as it is I can live with this for the moment. I'm surprised and quite pleased. What a great upgrade for just £230!
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Post by Deleted on May 1, 2020 9:03:12 GMT
What DAC does your Oppo use? It's quite an old model I believe. If you think it is good the later models are even better (205 has Sabre pro DAC). I can also tell you the transports being multi format aren't as good as a dedicated CD transport. I'm running my CXC into the 205 with Audioquest Coax and I would say the results are very nice indeed. I still don't think CD beats really good vinyl setup. I also have a Marantz CD65II SE from about 1988 that uses 1541A chip. This makes a very interesting comparison and though ultimately inferior can be more musical on many discs. Neither of these players gives more than a hint of digititis on any disc I've tried. The Oppo seems to handle modern compressed material better as well as having a more expansive sound. Original Dire Straits CDs were well mastered judging from my copy of Love Over Gold. That's been my benchmark test disc for CD for over 30 years.
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Post by macca on May 1, 2020 9:23:21 GMT
What DAC does your Oppo use? It's quite an old model I believe. If you think it is good the later models are even better (205 has Sabre pro DAC). I can also tell you the transports being multi format aren't as good as a dedicated CD transport. I'm running my CXC into the 205 with Audioquest Coax and I would say the results are very nice indeed. I still don't think CD beats really good vinyl setup. I also have a Marantz CD65II SE from about 1988 that uses 1541A chip. This makes a very interesting comparison and though ultimately inferior can be more musical on many discs. Neither of these players gives more than a hint of digititis on any disc I've tried. The Oppo seems to handle modern compressed material better as well as having a more expansive sound. Original Dire Straits CDs were well mastered judging from my copy of Love Over Gold. That's been my benchmark test disc for CD for over 30 years. Yes I was going to listen to 'Love Over Gold' next until I looked at my watch! The Oppo uses a 'Premium 32-bit DAC by AKM'. The player came out in 2016 so less than 4 years old. I'm not after 'musicality', I'm after truthful replay of the recording. So my priorities differ and that's one of the reasons why I no longer bother with vinyl (the others are the faff and the expense). Yes it can sound amazing but digital is closer to what was done in the studio. EDIT - the unit came on the market in November 2015
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Bigman80
Grandmaster
The HiFi Bear/Audioaddicts/Bigbottle Owner
Posts: 16,399
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Post by Bigman80 on May 1, 2020 10:04:01 GMT
Okay so had a bit of a session last night. Bruce you are right. Started out listening to Erikah Badu 'Mama's Gun', just had it on in the background. Was reading some nonsense on the internet but about three songs in I noticed I was having trouble concentrating on what I was reading as the sound was demanding my attention. So gave up on the nonsense and started having a proper listen. It's a great record but I don't play it that much so I'm not 'intimate' with it. Some of the sparser tracks were very well presented. The Oppo is not as sweet-sounding as the Sony XB970QS. I liked the sweet sound of that player but on occasion I'd be laughing to myself as it was just too sweet to be real. None of that here with the Oppo but it was not a 'hard' sound either. Then put on that old test favourite 'Brothers In Arms.' Bought this on vinyl the week it came out, so 35 years and a lot of plays, although I've since graduated to the re-mastered CD. But I know it well. This was bit of a revelation. In truth I wasn't expecting there to be much, if any difference to how this sounds on the Pioneer DVD565A. Wrong! The first tune. 'So Far Away' was ruthlessly stripped back to its component parts. The vocal was astonishingly clear, not heard this before with any of my dozens of cd players. I'd describe the sound characteristics of this player as dry and architectural. There's no rosy glow or syrup added to the sound at all. I was playing just at the level where there's a bit of 'bite' to the sound - every system has that point - but no louder. There was no harshness or grain at all, backgrounds were black. Blacker than the Pioneer could manage. Now the Sony can do that lack of noise too but as I said, it is sweeter. The Oppo is closer to unadulterated studio playback. 'Brothers' is an early digital recording and it has that 'sheen' to it. Not unpleasant but it is in the character of the recording. The Krell is pretty warm sounding and ameliorates this a bit. Coupled with a warm player and you don't get it at all. I don't like that, I like to hear the individual character of recordings. I don't want the same sauce poured over everything. The Oppo was able to cut through the Krell's warmth a bit and present the 'sheen', although not entirely truthfully. But that's the Krell's colouration, not the cd player. Was getting late but thought I would manage one more album and no session is complete without some Dan, so put on 'The Royal Scam'. A good analogue recording from 1976. Another one I know very well having been a fanatical Dan fan since an old hippy speed-freak introduced me to them back in 1990. Was not prepared for this. This album has never particularly impressed me either as a recording or musically compared to Aja and Gaucho. Until last night. The vocal was so present and so real it was actually eerie on occasion. Amazing dynamics. Cavernous soundstage. Really not heard this album like this ever before. The final tune, the title track, which I've never cared for had me gripped on every note. The differences between this '76 analogue recording and the 1985 digital 'Brothers In Arms were quite pronounced. Even though both are great recordings, I like to hear that difference. It shows you're on the right track to neutrality. By the time that finished it was 2300 so had to - very reluctantly -pack it in for the night. So yes, I was wrong, there is quite a big difference between what this Oppo can do compared to the humble Pioneer. I was hoping for a small improvement at best but this is quite a big improvement. It's dry, it's architectural, it's exactly how I like it. I've no doubt that if I could swap the Krell 100 for it's smaller, more neutral-sounding cousin the 50S I'd be almost as close to as neutral a playback as it's possible to get (the 50s is a bit warm in the bass). But as it is I can live with this for the moment. I'm surprised and quite pleased. What a great upgrade for just £230! Well done Macca....sounds like perfection to your tastes. Now all you need is a Neurochrome and you can pack all that Krell nonsense in lol
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Post by firebottle on May 1, 2020 10:34:30 GMT
At last, a more modern player that makes you appreciate the strides that have been made.
Very pleased you are getting the neutrality a lot of us are chasing.
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Post by Deleted on May 1, 2020 11:42:30 GMT
What DAC does your Oppo use? It's quite an old model I believe. If you think it is good the later models are even better (205 has Sabre pro DAC). I can also tell you the transports being multi format aren't as good as a dedicated CD transport. I'm running my CXC into the 205 with Audioquest Coax and I would say the results are very nice indeed. I still don't think CD beats really good vinyl setup. I also have a Marantz CD65II SE from about 1988 that uses 1541A chip. This makes a very interesting comparison and though ultimately inferior can be more musical on many discs. Neither of these players gives more than a hint of digititis on any disc I've tried. The Oppo seems to handle modern compressed material better as well as having a more expansive sound. Original Dire Straits CDs were well mastered judging from my copy of Love Over Gold. That's been my benchmark test disc for CD for over 30 years. Yes I was going to listen to 'Love Over Gold' next until I looked at my watch! The Oppo uses a 'Premium 32-bit DAC by AKM'. The player came out in 2016 so less than 4 years old. I'm not after 'musicality', I'm after truthful replay of the recording. So my priorities differ and that's one of the reasons why I no longer bother with vinyl (the others are the faff and the expense). Yes it can sound amazing but digital is closer to what was done in the studio. EDIT - the unit came on the market in November 2015 Didn't realise this is a newer model than the 103/105. Sort of cut down version without streaming. The later Oppos are all said to be very good to great. I think the format that gives me nearest to 'in the studio sound' is vinyl given a high quality mastering. Of course I've thrown a lot more cash at vinyl playback but certain expensive CD players i've heard have not left me overly impressed v much cheaper options. CD playback has improved greatly over recent years so not surprised this betters your previous Technics models.
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Post by macca on May 1, 2020 11:50:20 GMT
Okay so had a bit of a session last night. Bruce you are right. Started out listening to Erikah Badu 'Mama's Gun', just had it on in the background. Was reading some nonsense on the internet but about three songs in I noticed I was having trouble concentrating on what I was reading as the sound was demanding my attention. So gave up on the nonsense and started having a proper listen. It's a great record but I don't play it that much so I'm not 'intimate' with it. Some of the sparser tracks were very well presented. The Oppo is not as sweet-sounding as the Sony XB970QS. I liked the sweet sound of that player but on occasion I'd be laughing to myself as it was just too sweet to be real. None of that here with the Oppo but it was not a 'hard' sound either. Then put on that old test favourite 'Brothers In Arms.' Bought this on vinyl the week it came out, so 35 years and a lot of plays, although I've since graduated to the re-mastered CD. But I know it well. This was bit of a revelation. In truth I wasn't expecting there to be much, if any difference to how this sounds on the Pioneer DVD565A. Wrong! The first tune. 'So Far Away' was ruthlessly stripped back to its component parts. The vocal was astonishingly clear, not heard this before with any of my dozens of cd players. I'd describe the sound characteristics of this player as dry and architectural. There's no rosy glow or syrup added to the sound at all. I was playing just at the level where there's a bit of 'bite' to the sound - every system has that point - but no louder. There was no harshness or grain at all, backgrounds were black. Blacker than the Pioneer could manage. Now the Sony can do that lack of noise too but as I said, it is sweeter. The Oppo is closer to unadulterated studio playback. 'Brothers' is an early digital recording and it has that 'sheen' to it. Not unpleasant but it is in the character of the recording. The Krell is pretty warm sounding and ameliorates this a bit. Coupled with a warm player and you don't get it at all. I don't like that, I like to hear the individual character of recordings. I don't want the same sauce poured over everything. The Oppo was able to cut through the Krell's warmth a bit and present the 'sheen', although not entirely truthfully. But that's the Krell's colouration, not the cd player. Was getting late but thought I would manage one more album and no session is complete without some Dan, so put on 'The Royal Scam'. A good analogue recording from 1976. Another one I know very well having been a fanatical Dan fan since an old hippy speed-freak introduced me to them back in 1990. Was not prepared for this. This album has never particularly impressed me either as a recording or musically compared to Aja and Gaucho. Until last night. The vocal was so present and so real it was actually eerie on occasion. Amazing dynamics. Cavernous soundstage. Really not heard this album like this ever before. The final tune, the title track, which I've never cared for had me gripped on every note. The differences between this '76 analogue recording and the 1985 digital 'Brothers In Arms were quite pronounced. Even though both are great recordings, I like to hear that difference. It shows you're on the right track to neutrality. By the time that finished it was 2300 so had to - very reluctantly -pack it in for the night. So yes, I was wrong, there is quite a big difference between what this Oppo can do compared to the humble Pioneer. I was hoping for a small improvement at best but this is quite a big improvement. It's dry, it's architectural, it's exactly how I like it. I've no doubt that if I could swap the Krell 100 for it's smaller, more neutral-sounding cousin the 50S I'd be almost as close to as neutral a playback as it's possible to get (the 50s is a bit warm in the bass). But as it is I can live with this for the moment. I'm surprised and quite pleased. What a great upgrade for just £230! Well done Macca....sounds like perfection to your tastes. Now all you need is a Neurochrome and you can pack all that Krell nonsense in lol Nah, It would be a Benchmark if I was going to get a new power amp. But I'll get the KSA50S fixed instead I think. It's a known quantity. Next step will be the RME ADI2 DAC.
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Post by macca on May 1, 2020 12:30:51 GMT
At last, a more modern player that makes you appreciate the strides that have been made. Very pleased you are getting the neutrality a lot of us are chasing. Well let's not get carried away with the marketing hype. Yes it is more neutral than my old Sony, but that's presentation not quality and I just happen to prefer it. In quality terms it's no different. This is a budget product, I think they retailed for £370. The Sony, if it were still made, would be about a grand. That it can be so good for so cheap is indeed a stride forward. I'd get a listen to an SLP1200 Broadcast, or a Sony R1 or similar before being too confident about the strides that have allegedly been made. Digital is not analogue where you can always keep pushing the engineering boundaries and get improvements in quality, there's only so far it can go before it reaches its mathematical limits and the limits of perception. That happened a long time ago.
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Post by sq225917 on May 1, 2020 12:35:05 GMT
The Benchmark is too small to deliver long term satisfaction, it's physical insufficiency would niggle at from across the room compared to the krell.
Why not buy one and put it in a bigger case? That's audio nirvana right there...
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Post by macca on May 1, 2020 13:49:32 GMT
No! I'm not buying any more power amps regardless of how big or small they are. Stop egging me on!
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Bigman80
Grandmaster
The HiFi Bear/Audioaddicts/Bigbottle Owner
Posts: 16,399
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Post by Bigman80 on May 1, 2020 14:38:12 GMT
No! I'm not buying any more power amps regardless of how big or small they are. Stop egging me on! Get a 686 Macca....you can officially retire then from HiFi lol.. The Benchmark would look lost in your room.
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