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Post by jimbo on Mar 4, 2020 8:20:44 GMT
Anyone use them? Notice any difference? They are used in professional mastering studios around the world so there must be some credibility in their use. These looked rather good as they give good options to raise the height of the cable. www.10audio.com/cable-lifters.htm
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Post by Bigman80 on Mar 4, 2020 9:08:26 GMT
Anyone use them? Notice any difference? They are used in professional mastering studios around the world so there must be some credibility in their use. These looked rather good as they give good options to raise the height of the cable. www.10audio.com/cable-lifters.htmI just dont know If I have enough of a belief system to try them. I know that there is a very loose scientific reason given for their supposed use but I just dont know
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Post by jimbo on Mar 4, 2020 9:39:45 GMT
Anyone use them? Notice any difference? They are used in professional mastering studios around the world so there must be some credibility in their use. These looked rather good as they give good options to raise the height of the cable. www.10audio.com/cable-lifters.htmI just dont know If I have enough of a belief system to try them. I know that there is a very loose scientific reason given for their supposed use but I just dont know When you think of the importance of cable properties i.e. Core design/ material , dialectics , build design etc and the influx this has on sound surely the atmosphere / environment / surface the cable is used in also has an influence on the sound? Take a look at this video and the cable on the floor at 5.00m into video. Is it snake oil or is there something in it? Ok yes a nerdy subject for a Wednesday morning but that what us audiophile nuts obsess ourselves with or maybe not?
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Post by Deleted on Mar 4, 2020 11:39:34 GMT
There is no reason why they would, or could make any audible difference at all. I've actually measured, using very sensitive measuring kit, effects on core cable properties such as capacitance and inductance and the results of any differences at all, let alone meaningful ones, were at a level so FAR BELOW program threshold as to be completely and utterly meaningless and inaudible. Meaningless, that is, except to those snake oil merchants who love to mislead the public by showing "live" test results on an oscilloscope (using units of measurement not understood by those watching, let alone meaningful in any way) to prove their sales pitches. That video is a prime example of snake oil at its finest,..cables on lifters to demonstrate.....what exactly? I'd be more concerned that they form a trip hazard than anything else! You can wind up any number of measurements and affect how they show up as the very tiniest and wholly inaudible of distortions to make a point, but the dishonesty is laid bare only when you know what they are measuring and just how skewed their sales pitch presentation of their facts are,
Often, they screw up sensitivity so far on measurement to make the results look important when in reality they are completely meaningless. The same people also love to mislead others by making claims that induced vibrations in long speaker cables degrade sound without ever evidencing 1) that there is any meaningful vibration induced into the jacketed and damped wires and 2) that even if there were, there's absolutely no evidence anywhere (really) suggesting that they have any impact at all on the relatively large signal from your amp. Think about this for a second before jumping straight back in, then answer this question:
Q1. What is your signal carried through in a loudspeaker drive unit?
Q2. Does this conductor vibrate?
The silliness of marketing claims are laid bare when you consider that the very heart of the thing responsible as the final link in your chain, the speaker itself, relies upon a voicecoil containing many metres of thin wire, wrapped into a coil, with loose ends connected to the cone on one front and back to input terminals on the other, are all vibrated back and forth throughout the audio frequency band.
As for interconnects, same thing applies. It's nonsense, Any capacitance changes are meaningless over such relatively short distances for all line level sources and indeed for all MM pick ups to phonostage sources. It's bunkum (sorry for the non-technical term!).
Not everyone working in a recording studio is an expert electronics engineer...in fact very few are. Those that like to use this stuff are either sponsored to believe they might make a difference through nothing more than they believe it. Meaningful evidence doesn't get a look-in or come into it.
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Post by macca on Mar 4, 2020 12:49:43 GMT
Agree with Paul it's complete bollocks.
Just wondering which 'professional mastering studios' use them?
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Post by sq225917 on Mar 4, 2020 13:02:11 GMT
Its total bollocks.
My favourite is anyone making claims for mains cables with 'dampers' improving the sound. Totally ignoring the fact that mains cable are terminated at the transformer which will be vibrating at 100hz at a higher amplitude that any other wire in your hifi.
What benefit could there possibly be of damping a cable at a point at which it isnt vibrating and utterly ignoring the point at which it is vibrating... it's just idiocy.
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Post by macca on Mar 4, 2020 13:17:42 GMT
Seems to me the argument is that vibrations will affect the transmission of electrical current to such an extent that it will cause audible distortion in replay.
That makes me wonder about electrical applications that are not hi-fi related. The electrics in a jet fighter or a space rocket for instance. The amount of vibration involved there must be thousands of orders of magnitude higher than the vibrations in a typical living room and yet it all seems to work just fine.
I don't know if it is still the case but many Soviet-era aircraft (and spacecraft too I believe) used vacuum tubes in their electronic circuits. Again, they would be subject to huge amounts of vibration and work fine.
Yet according to some just putting some little rubber damping rings around the valves in a power amp will elicit a 'subtle yet noticeable improvement' in sound quality. And putting the valve amp on 2 grands worth of 'audiophile furniture' will be a 'significant step up.'
It just doesn't add up in logical terms does it?
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Post by Deleted on Mar 4, 2020 13:48:29 GMT
Waiting for the usual Martin and Simon comments, it's just like being at work!
For what its worth I am not suggesting for for one moment these work, however Paul mentioned he has performed some basic LCR meas on cables. I am playing devils advocate here.
Paul did you actually measure reflectivity of the cables at all? while they we on the floor or suspended (lol).
Did you also have time to look at any radiated emission patterns before and after raising the risers (lol)
You do realise it is possible to actually charge a cable without it being connected at either end?
During our test procedures we have to pay care attention to static build up which genuinely can destroy text equipment and test rigs.
Please do carry on I need cheering up this afternoon still trying to recover from the rabbits passing
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Post by Deleted on Mar 4, 2020 13:57:53 GMT
No because it wouldn't have change a damned thing about the way the signal is passed on, and sorry to be a wet blanket, but any audio engineer worth their salt will tell you exactly the same. I left forums precisely because people who were not audio engineers kept on trying to "tell" me how these things work. If they used language such as "I don't know if or how it works but it sounds better to me so I'll use them" I wouldn't have a problem with that. It's when I'm "told" how these things work by trying to justify an argument without having tested these things properly for themselves, when it's uitter BS, that it gets my goat. I think I'll stick to my own qualification and experience when it comes to signal transmission ;-) As for the patronising bit about induction, what do you think? Do I realise inductance is a thing or not? Place your bets Lol!
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Post by Deleted on Mar 4, 2020 14:17:17 GMT
Hi Paul Not being an audio engineer worth his salt I can ask these questions which are genuine, from a fully qualified electronic design engineer point of view who likes to see some hard facts. Its quite interesting when you look at cable geometry as to how the various parameters effect the resultant outcomes, not difficult to construct a test port to run between the speaker cable placement and cite a VNA/SCA and perform some S parameter testing Taking care to remove the test port from the finial equation I am sure it would be of interest to see before and after smith chart and finally put an end to the absurd notion of cable risers. This way you have qualified proof of non compliance or bullshit delete as appropriate. So please do descend from the high horse as I understand your feelings and agree with them. Though in my short life I just laugh and smile more at the audio bullshit factories that churn out unsubstantiated dross on a regular basis. So apologies if I cam across patronizing, I'm just playing Devils advocate nothing more
As for the vibrational aspects of the claims, a quality portable accelerometer will give you the information on that part of the claim, again easy to quantify either way
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Post by Deleted on Mar 4, 2020 14:47:31 GMT
Just to illustrate some of the quirks of cabling, take a look at this industry produced lighter side of what can (and ) does happen in labs
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Post by sq225917 on Mar 4, 2020 14:54:47 GMT
For shits and giggles I one epoxied the small cammed motor from my broken old nokia phone to a piece of gaffer tape stuck to the bottom of my Young dac. Fed it 2v and let it run. Compared the output in diffmaker to the same file being played without. The difference was below the level of experimental error, ie no more different than two subsequent samples without the motor running.
Exactly as I'd expect for a Ss device, to be fair i would have liked to try a jitter test, but didnt have the required test gear.
It's just bollocks, like applying analogue thinking to digital system and mechanical thinking to electronics.
I have no doubt that's possible to measure the effects of coiling cables, lazy dressing and so forth on the cables, but we all know in all but pathological broken setups that these are several orders of magnitude below audibility.
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Post by Deleted on Mar 4, 2020 15:02:39 GMT
Mar 4, 2020 14:17:17 GMT pillbox36 said:
Hi Paul
Not being an audio engineer worth his salt I can ask these questions which are genuine, from a fully qualified electronic design engineer point of view who likes to see some hard facts.
Its quite interesting when you look at cable geometry as to how the various parameters effect the resultant outcomes, not difficult to construct a test port to run between the speaker cable placement and cite a VNA/SCA and perform some S parameter testing
Taking care to remove the test port from the finial equation I am sure it would be of interest to see before and after smith chart and finally put an end to the absurd notion of cable risers.
This way you have qualified proof of non compliance or bullshit delete as appropriate.
So please do descend from the high horse as I understand your feelings and agree with them. Though in my short life I just laugh and smile more at the audio bullshit factories that churn out unsubstantiated dross on a regular basis.
So apologies if I cam across patronizing, I'm just playing Devils advocate nothing more
As for the vibrational aspects of the claims, a quality portable accelerometer will give you the information on that part of the claim, again easy to quantify either way
Mar 4, 2020 14:47:31 GMT pillbox36 said:
Just to illustrate some of the quirks of cabling, take a look at this industry produced lighter side of what can (and ) does happen in labs
Cable shenanigans
I deal with facts, not with fantasy. I am not disputing at all that these things can have an effect on certain aspects of transmission. What I am claiming is 1) that there is no measurable difference in the audible characteristics of a measured signal waveform whether you leave speaker cables on the floor or raise them. None. What you chose to believe is up to you. I am not here to justify my understanding (note I didn't say "beliefs") and would be happy to discuss this further were it of any real merit or significance to the audio world, but frankly it is not, and I have better things to occupy my time than to back pedlars of foo products by endorsing their snake oil. Neither do I appreciate your rather patronising attitude, as yes, you did seem to come across as extremely patronising.
At the risk of repeating my second sentence above, it is not that a small signal cannot be modulated or distorted in some respect by physical changes and certain external influences but I whole heartedly reject any notion that lifting cables off the floor can nor does have any audible (or even measurable) effect at the loudspeaker. That is the acid test, not what sophisticated kit you chose to use, accelerometer or otherwise, to prove a pointless fact about vibration in cables) or some patronising point that wire can have currents inducted into it. For the record, I have played around with accelerometers when analysing signal transmission and the results were conclusively that with ONE major exception, that vibration in cables/wires are just not important, not one little bit, iota, nada, nothing doing. The exception is that when inducing vibrations into inductors of any type, the resultant disruption to the waveform can become significant, because one of the many characteristics of inductors, but NOT of straight wires, is that they are microphonic and you can induce ringing into them.
This led to an important area of research I've done into the detailed design, development and manufacture of inductors, and by research, I mean proper studied research, so I do claim some understanding in this area. It is that understanding that has resulted in my assertion that externalising loudspeaker passive crossovers is good practice, as well as having my own inductor designs manufactured.
You were not playing devils advocate, you were disputing the argument that cable lifters don't work (in the sense they prevent any significant induced distortion or loss in a signal). The only test that matters is whether the results are measurably audible at the speakers. If you cannot prove that, then you are wasting your time, my time and everyone else's time reading this nonsense. Back to work for me as there are things that actually matter rather more ;-)
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Post by firebottle on Mar 4, 2020 15:05:21 GMT
There are some 'foo' things that I have personally heard make a difference to the sound. Things that one has no reasonable or logical explanation of how they work.
Cable lifters aren't one of them though.
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Post by Deleted on Mar 4, 2020 15:09:29 GMT
For shits and giggles I one epoxied the small cammed motor from my broken old nokia phone to a piece of gaffer tape stuck to the bottom of my Young dac. Fed it 2v and let it run. Compared the output in diffmaker to the same file being played without. The difference was below the level of experimental error, ie no more different than two subsequent samples without the motor running. Exactly as I'd expect for a Ss device, to be fair i would have liked to try a jitter test, but didnt have the required test gear. It's just bollocks, like applying analogue thinking to digital system and mechanical thinking to electronics. I have no doubt that's possible to measure the effects of coiling cables, lazy dressing and so forth on the cables, but we all know in all but pathological broken setups that these are several orders of magnitude below audibility. At last, common sense! Yes Simon, that's exactly the point. people ought not to fret or get caught up on whether they're missing a trick on improving sound quality by investing in misdirection precisely because a large majority of these claims about cables are concerned with effects magnitudes of order below audible threshold. That point is almost always conveniently ignored in such discussions and indeed on almost all marketing claims. There is plenty that is worthy of attention and consideration when it comes to improving sound quality, all of it concerned with audible effects.
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Post by Deleted on Mar 4, 2020 15:10:06 GMT
There are some 'foo' things that I have personally heard make a difference to the sound. Things that one has no reasonable or logical explanation of how they work. Cable lifters aren't one of them though. Agreed.
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Post by jimbo on Mar 4, 2020 16:38:44 GMT
Agree with Paul it's complete bollocks. Just wondering which 'professional mastering studios' use them? See above.
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Post by jimbo on Mar 4, 2020 16:43:34 GMT
I have used cable lifters myself and am not convinced they make any difference at all that is audible. I just though it was interesting that some studios used them, maybe they have been sucked into the theory that they can make a difference or maybe they have heard the difference?
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Post by jandl100 on Mar 4, 2020 16:52:05 GMT
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Post by firebottle on Mar 4, 2020 16:56:27 GMT
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Post by rexton on Mar 4, 2020 20:44:23 GMT
Well I actually do use cable lifters and I think they work a treat.
They are very useful for lifting my cables up in the air when I want to hoover near my skirting boards.
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Post by Deleted on Mar 4, 2020 21:57:32 GMT
If you use tall enough ones Andy and put them close to radiators you can dry your socks on them too. They must work or those boffins at the National grid wouldn't be using them to distribute 33KV power lines...O.K. I take it back. Cable lifters work really well at...err...holding cables off the ground
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Post by Deleted on Mar 4, 2020 22:02:15 GMT
I need portable cable lifters, so I can put them out in the garden when it is sunny. I find the socks dry out much quicker that way, but then my system fails to please.....
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Post by Deleted on Mar 5, 2020 8:40:28 GMT
I just dont know If I have enough of a belief system to try them. I know that there is a very loose scientific reason given for their supposed use but I just dont know When you think of the importance of cable properties i.e. Core design/ material , dialectics , build design etc and the influx this has on sound surely the atmosphere / environment / surface the cable is used in also has an influence on the sound? Take a look at this video and the cable on the floor at 5.00m into video. Is it snake oil or is there something in it? Ok yes a nerdy subject for a Wednesday morning but that what us audiophile nuts obsess ourselves with or maybe not? I'm mystified why someone like Bernie Grundman would be using these. I guess he was given some to try out but in a studio that is a trip hazard (Fremer fell over them LOL). Cables should be run under a mat if they cross the floor. I can't see anything in them apart from helping to keep cables separated and avoid crossovers and tangle. You could make your own wooden risers for pence and see if you can hear a difference if you are curious. The ones on sale are a major rip off. I doubt anyone other than Grundman would use them - maybe Steve Hoffman (who is into a lot of snake oil in my view)? I'm sure Grundman cuts don't sound great because of those risers!
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Post by Deleted on Mar 5, 2020 9:46:08 GMT
I think that most engineers don't give them a second thought not because anyone denies outside influences on signal distortions, but because the outcomes from the magnitude of such influences are known to be so low as to be negligible in terms of importance or audibility, therefore there is no good reason other than spelling this out for those who insist that there must be something in them, to even "play devils advocate" as someone put it earlier in this thread. They aren't the worst offenders though but they are one blatant example of "what can we make money from by selling a half-truth?".
That is the thing that grinds the gears most with me. Many of these things have truths associated with them but the magnitude of these truths is hidden behind smoke and mirrors marketing to sell product. It's made worse, I think, because it isn't the cable properties that they are "bigging up" to sell cables, it's peddling half truths to sell something at inflated prices which will make no difference to what you hear in room through your loudspeakers.
It puts me in mind of an experiment done about a decade back where someone used polystyrene cups to elevate speaker cables, took a whole slew of readings and compared with the cables on the ground. The conclusion was that whilst there were some tiny measurable differences, they were so small as to be completely meaningless compared even with THD (low as it is) from most driving amplifiers. I wish I could remember that source, but it was so long back I can't. It only reaffirmed though what audio engineers and electronics engineers already knew to be true which is why I would be surprised to see any engineer taking these things seriously and why I am surprised that any recording studio would use them. They're clearly a trip hazard anyway so have no place in any busy studio.
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Post by macca on Mar 5, 2020 12:41:38 GMT
Personally I don't care that people sell this stuff or that people buy it. people buy a lot of pointless tat, that's always going to be the case so there's no point crusading.
And the people selling it are either as deluded as the customers or are simply operating on the 'One born every minute' principle, again that's always going to happen as long as there are people in the world.
It's only when people come out with crap like 'You haven't tried it so you're in no position to comment' that I lose patience.
I mean I haven't tried jumping off the roof of my house either but I'm still 100% certain that if I did I would break my legs.
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Post by Deleted on Mar 5, 2020 14:10:14 GMT
Yes, people will continue to sell these types of audio accessories, so there's no point in a crusade as you say. Caveat Emptor as always.
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