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Post by Deleted on Aug 28, 2019 10:56:46 GMT
I lived with an early pair of Linn 'Kan' & Onix 'OA-21/SOAP' Amp for a few years. I did swap out the 'Kan's for a pair of ARC '050'..
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Post by Deleted on Aug 28, 2019 10:58:54 GMT
If its of any interest i had a pair of 15 Ohm Audiomaster 'LS3/5a' before the 'Kan' but could not live with the sound of the tweeter.
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Bigman80
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Post by Bigman80 on Aug 28, 2019 11:08:06 GMT
I lived with an early pair of Linn 'Kan' & Onix 'OA-21/SOAP' Amp for a few years. I did swap out the 'Kan's for a pair of ARC '050'.. Never heard any of the ARCs but they were something I was curious about. Robin Marshall designed?
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Post by dsjr on Aug 28, 2019 11:11:17 GMT
Not as I recall. The ARC's were larger and again, a bit 'middy' as I remember. Active with Nytech was a great sound for the late 70's/early 80's.
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Post by Deleted on Aug 28, 2019 11:14:35 GMT
Not Marshall They were a Manchester company.. I bought the ARC '101' later on, used them with A&R Cambridge 'A60AP/SAX-60 with '101' board fitted.
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Bigman80
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Post by Bigman80 on Aug 28, 2019 11:25:17 GMT
As far as I can ascertain, the crossover and driver complement is the same as the SA2. It’s ten cabinet that’s a cheaper build. The mk1s did indeed have spring clips but there’s are later ones with binding posts, I’m not sure about internal push tags but I can see internal wiring through the port and it looks really cheap. These certainly aren’t “flat”; they are cloaked and tubby with a rolled off treble. I accept the Kans aren’t flat, but they aren’t my usual speakers. Nobody has ever accused Spicas of having the balance you describe and they are my usual speakers. It’s not so much the frequency balance that’s an issue, it’s the loss of information and presence. I think your assessment of mid-bass prominence with very little below is pretty much what I’m hearing. They are pretty much as I recall back in the day, frequency wise. It’s not something I’d be motivated to do, but I feel that upgrading crossover components and wiring, as well as mass-damping the cabinets and removing some wadding would do quite a lot to help. Sadly it wouldn’t make them nice to look at
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Bigman80
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Post by Bigman80 on Aug 28, 2019 11:35:14 GMT
Not as I recall. The ARC's were larger and again, a bit 'middy' as I remember. Active with Nytech was a great sound for the late 70's/early 80's. Yes, I recall now. I’d mis-remembered a replynon a magazine where they said the ARC101 was the closest older speaker to ES14s. That is what made me curious. Incidentally, I did find a really interesting recent interview with Robin. Garrard 401, Naim 250s and either JBLs or Yammys these days. Seems to think the ES14 is outdated today but is still a fan of metal domes .....and CB Naim amps. www.stereo.net.au/forums/topic/270512-an-interview-with-robin-marshall-ex-epos-designer/
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Post by Deleted on Aug 28, 2019 13:52:14 GMT
Russ Andrews worked for ARC back then
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Post by dsjr on Aug 28, 2019 14:45:04 GMT
Russ introduced KJ W1 to Nytech and ARC forty years ago. The infamous Nytech receiver had been worked on and was reliable by the time we took it on, with trailing phono sockets for 'phono' and 4mm sockets for the speakers.
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Bigman80
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Post by Bigman80 on Aug 30, 2019 14:57:46 GMT
I picked up,some Misison Solid Core bi wire cable out of curiosity. My only other dabble with solid core was 30+ years ago with DNM . Basically it had Sh#t bass. The mission is the same but not as revealing in the higher registers than DNM., A million miles away from my regular cable, but a fun experiment which I will simply sell on.
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Post by Deleted on Aug 30, 2019 22:33:06 GMT
Something i never bothered swapping out was speaker cables.. Used Kimber '4TC' for years, only till later on when i got wise to all the Hi-Fi Bull shite did i swap to some cheap Chord 'Carnival Silver Screen'. As the cable name might presume it is not Silver cable.. Cheap as chips Foil wrapped cable with thick soft PVC outer jacket, if it were not for this being on offer at the time i would have just bought their standard 'Carnival' cable.... I dont use any speaker cables now..
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Post by dsjr on Aug 31, 2019 12:54:06 GMT
As far as I can ascertain, the crossover and driver complement is the same as the SA2. It’s ten cabinet that’s a cheaper build. The mk1s did indeed have spring clips but there’s are later ones with binding posts, I’m not sure about internal push tags but I can see internal wiring through the port and it looks really cheap. These certainly aren’t “flat”; they are cloaked and tubby with a rolled off treble. I accept the Kans aren’t flat, but they aren’t my usual speakers. Nobody has ever accused Spicas of having the balance you describe and they are my usual speakers. It’s not so much the frequency balance that’s an issue, it’s the loss of information and presence. I think your assessment of mid-bass prominence with very little below is pretty much what I’m hearing. They are pretty much as I recall back in the day, frequency wise. It’s not something I’d be motivated to do, but I feel that upgrading crossover components and wiring, as well as mass-damping the cabinets and removing some wadding would do quite a lot to help. Sadly it wouldn’t make them nice to look at The issue with these is that the box is too small, hence the lack of low bass and maybe the box should be sealed as well rather than ported. The driver suffers a 1.5 - 2khz peak due to phase issues at the pole piece tip (a pole extension in the SP1/SP2 mk1 and latterly a proper phase plug in developed later drivers fixed it), so what Derek Hughes did was to roll the upper mids down a little more to 'mask' it and that's the dull 'cloaked' quality you're probably hearing - normal for BBC derived speakers of this time as both the LS5/8 and LS5/9 (in all forms) do it too. Interestingly, the Spendor SP1mk1 doesn't do this at all and later, when the SP1/2 arrived, none of the Spendor range sounded really alike, the SP1/2 sounding by far the best, the SP2 sounding 'lush and phat' and the S100's having a strange loudness-switch kind of boom and whistle.... I have SA2 and Prelude reviews with measurements which do in this instance kind-of show the sound you're getting, but I haven't scanned them to send on.
Just my vibes. I still love my geriatric bodged BC2's - just need to find the dosh one day to re-grille them professionally.
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Bigman80
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Post by Bigman80 on Aug 31, 2019 14:16:15 GMT
I kinda hear a good speaker wanting to get out. The bass unit looks to be a quality item and I’ve always liked that Audax. Thanks for the info above, it makes a huge amount of sense, I’m never comfortable taking things away from stock, especially when the designer knew more than I ever will. On these, it’s just better to let them go to someone else who will appreciate them.
Had a closer look at the finish. Very well done but not factory, so I’m going to try and remove it. Worst case scenario I make them black. Best case they end up back to walnut.
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Post by dsjr on Aug 31, 2019 16:43:13 GMT
What you could try is to bypass the bass crossover and give a quick listen. My drivers have conventional 4mm binding posts on them so easy to do but the Prelude version may have tags instead? The BBC used these later drivers as a replacement for one of their odd corner-ceiling models I recall, but they're long gone now.
Spencer when he was alive, seemed keen to look at different approaches to sound balance and design while working within acceptable limits. He knew his BC1 backwards, acknowledged where improvements were needed and quietly worked on them before his passing at 60 (I believe) in 1983. The SP1 original model was much tauter, just as clear really in the mids and with some sparkle too certainly standing its ground in the company of larger more modern fare I remember. His son is an engineering? graduate and well able to make a BC1-esque speaker (SP1/2 with totally different drivers), but he seemed to go down the fruity-lush-squidgy presentation style which far eastern customers lapped up. It took Spendor a while to shake that off and Derek now has re-imagined the BC1-ish LS3/6, the 5/9 and probably the godawful domestically passive 5/8, as well as helping or designing the Harbeth 40.1 (and .2?) 12" bextrene I believe bass driver. There's a huge far eastern market for this, so good commercially for these companies.
Tell you something sad. two years ago when I heard the JBL 4367 and loved 'em, I wasn't alone. NOBODY who heard them at the same time and claimed to like them wanted to pursue a dem follow-up. I was excited when I heard they'd ordered the L100mk2, which as a retro-kick (actually a very modern three way in L100-esque clothes) would surely sell a few pairs over here, but yesterday I was told they'd cancelled them as despite a positive write up in their online blog, I was the only person to express any interest - and of course I wouldn't buy them as I'm skint!
Very, very sad situation. JBL Pro still have the professional version (6332), but they're not very attractive and with no grilles.
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Bigman80
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Post by Bigman80 on Aug 31, 2019 17:26:21 GMT
I could take a look. Mine has binding posts but onky one set, so I’d need to have a look at the crossover.
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Bigman80
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Post by Bigman80 on Aug 31, 2019 17:27:34 GMT
I have my eye on another pair of speakers for the 2nd system. As they are on auction I won’t say more til I win
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Post by macca on Aug 31, 2019 18:20:27 GMT
I hope it's something more exciting than the Spendorzzzz...
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Bigman80
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Post by Bigman80 on Aug 31, 2019 19:16:10 GMT
I’m sure Dave said he hated them...
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Bigman80
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Post by Bigman80 on Aug 31, 2019 19:20:20 GMT
Some idiot has decided they needed a coat of stain and varnish too, so yet another refurb. They should stop selling that stuff to the general public lol.
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Post by Deleted on Aug 31, 2019 19:31:33 GMT
I’m sure Dave said he hated them... Have I heard about these speakers before? S.
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Bigman80
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Post by Bigman80 on Aug 31, 2019 19:32:13 GMT
I’m sure Dave said he hated them... Have I heard about these speakers before? S. Yep I’ve had a couple of pairs. Maybe three.
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Post by Deleted on Aug 31, 2019 19:33:36 GMT
Expensive when new? British made?
S.
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Bigman80
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Post by Bigman80 on Aug 31, 2019 19:50:10 GMT
Expensive when new? British made? S. They were something like £235 in early to mid 80s. Quintessentially British,
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Post by macca on Aug 31, 2019 20:34:23 GMT
Can we rule out Linn and Naim? (he asked hopefully)
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Bigman80
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Post by Bigman80 on Aug 31, 2019 21:10:22 GMT
Can we rule out Linn and Naim? (he asked hopefully) Yep
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Post by Deleted on Aug 31, 2019 21:46:54 GMT
Expensive when new? British made? S. They were something like £235 in early to mid 80s. Quintessentially British, Maybe something a little obscure, like SMC's?
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Bigman80
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Post by Bigman80 on Aug 31, 2019 21:51:44 GMT
They were something like £235 in early to mid 80s. Quintessentially British, Maybe something a little obscure, like SMC's? Little-known nowadays, but they were recommended in 80s mags.
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Post by macca on Aug 31, 2019 22:01:47 GMT
'Qunitessentialy British'. Celestion or Wharfedale? Can't see it being QUAD or Tannoy. Won't be more Spendors. Harbeth? Don't think so. Mordaunt Short?
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Post by Deleted on Aug 31, 2019 22:01:51 GMT
Alphason Amphion?
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Post by macca on Aug 31, 2019 22:03:04 GMT
KEF 'C' Series?
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