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Post by macca on Jan 21, 2024 8:10:53 GMT
Not assigning blame to anything, sometimes things don't work together and there's no obvious reason, or reason on paper, why that is. No doubt there will be a reason whether it is just bias or maybe something else specific to that system that we would not come across without measuring what is happening in that specific set up.I was also careful to point out that I was speculating. I didn't see any speculation regarding the BT2 in your post, regardless I was talking about measuring systems as a whole (from the speaker terminals) not an individual unit since the subject here is compatibility. I doubt noise and distortion in any of my pre-amps is at or even close to audible levels. I've got at least six pre-amps and I don't know how many power amps, plus what I've had in the past and sold. I've tried most combinations and some work better than others, it's just how it is. Again I will repeat it is pure speculation regarding an odd situation that Arke and Optical encountered. Preferring one power amp other another - no big deal - but one sounding off enough where you are checking the connections? We've all been there I suspect and if you're doing that something is wrong somewhere.
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Arke
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Post by Arke on Jan 21, 2024 8:35:25 GMT
I didn't see any speculation regarding the BT2 in your post, regardless I was talking about measuring systems as a whole (from the speaker terminals) not an individual unit since the subject here is compatibility. I doubt noise and distortion in any of my pre-amps is at or even close to audible levels. I've got at least six pre-amps and I don't know how many power amps, plus what I've had in the past and sold. I've tried most combinations and some work better than others, it's just how it is. Again I will repeat it is pure speculation regarding an odd situation that Arke and Optical encountered. Preferring one power amp other another - no big deal - but one sounding off enough where you are checking the connections? We've all been there I suspect and if you're doing that something is wrong somewhere. We shall know more when Chris can compare a Purifi and a Keces in his system. The Keces didn't really sound broken in my system, it just sounded very uninspiring, flat and lifeless compared to the Purifi. I think everything was working fine, it was just a stark example of very different sounds. In hindsight we should have listened to the Keces first as I think we would've enjoyed more and listened more before trying the Purifi. IMO the Purifi is just more transparent and can handle the bass ALOT better. Getting the bass right makes everything MUCH better and sorts timing. I have experienced this issue quite a few times when I demo speakers now. My brother came to stay last year and we listened to Discovery 861s, Revelator 851s and Vaders. I had foreseen what would happen, as had been listening to all speakers for a few weeks. We started with the Discovery 861s and my Brother was extremely impressed. We listened to a range of music for 2 hours and thoroughly enjoyed the speakers. We then swapped to the Revelator 851s and repeated for about 2 hrs. Again we thoroughly enjoyed the speakers. Then the Vaders went in and my Brother's jaw dropped and his eyes we were wide open. He was blown away. We then listened for hours again. At the end of this demo we were thoroughly impressed with all speakers and all had performed incredibly well at their 'price point'. If we had conducted this demo in reverse it wouldn't have worked. When we tried to switch back from Vaders to 861s or 851s we just knew so much better was available and switched straight back to Vaders. My point is that the 861s and 851s are exceptionally good speakers, but the Vaders offer more and can shine a critical light. I believe the Keces is exceptionally good (as demonstrated in 2 other systems) but in my system the Purifi shone a critical light. Edit: I shall add more info in due course, but I/we believe the difference in room responses is the most likely reason. Both Oli and Chris's rooms have a lack of energy from 80-120Hz. My room has a reasonably good response here, perhaps slightly extra energy. If mid/upper bass is even slightly loose in my room it muddies everything and has a detrimental effect on timing. The Purifi has an iron grip on the bass, so timing is impeccable. Any amp (in my room) lacking impeccable grip seems to suffer unreasonably so. I believe Oli's and Chris's rooms may be more forgiving as this mid/upper bass is toned down.
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Post by macca on Jan 21, 2024 9:34:48 GMT
I agree some sort of room/low frquency 'grip' thing could be a possibility
Although I get where you are coming from with the speaker demo thing, power amps aren't speakers.
But sometimes things just don't work that well even on paper they should.
I have a big XTZ power amp here, same spec as the Krell, weighs as much, same size traffo and it should drive my speakers just as good as the Krell - but it doesn't!
Pre-amp wise I have a NAD power amp here, sounds crap with DB1 pre-amp, put in the Philips pre - great sound. It should be fine with both - on paper - in practice, no.
There is no doubt a mundane technical reason but without a dive into the specific situation with an array of test gear we can't know exactly what. Or maybe a blind test would reveal it's all in the head?
In practice of course we just use what sounds best to us since we're not going to do all that messing about with blind comparisons or analysers. You just have to go with the flow.
One thing is a fact the amplifier (both pre and power)-speaker relationship is a complex one and should not be under-estimated.
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Arke
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Post by Arke on Jan 21, 2024 14:33:33 GMT
It's always hard to speculate as how does one describe a relative difference? Chris and I strongly preferred the Purifi on my system, but another person may notice little difference or have the opposite preference.
It makes for an interesting forum chat, but ultimately the only real way is to listen yourself.
I have been to (too) many hifi shows and read the post show reports. People rarely agree on what is good, bad or average. That's what makes it fun! Many post-show reports seem to laud the systems I thought were terrible - perhaps those people had vested interests.
I have a particular aversion to most 'show favourites' as I have a perceived over-sensitivity to HF and upper mids. Most people love stuff that is shrieky and shrill to me. Sometimes my favourite systems can be too laid back others.
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Post by macca on Jan 21, 2024 16:33:22 GMT
I did use to go to shows just to see how dreadful most of the five figure speakers were but the standard has improved in recent years,now you only get a handful that are properly bad. Last year they were even getting a decent sound out of PMCs I also don't like forward sound or any hint of glare or shoutiness. But too smooth is bad as well. Going round shows with people we usually agree but there's sometimes the odd exception. I did see one show report from NW show where his favourite was my worst in show. But some people are utterly clueless there's nothing you can do about that The 'Blame the recording' crowd is the reason we still have piss-poor loudspeakers on the market.
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