Deleted
Deleted Member
Posts: 0
|
Post by Deleted on Mar 21, 2020 15:18:28 GMT
From the designer of one of my all time favourite power amps, this makes an interesting listen as this chap's approach is balanced and his designs are first rate:
|
|
|
|
Post by sq225917 on Mar 21, 2020 19:13:47 GMT
A great amp designer, less well known over here than Nelson Pass. Not the greatest presenter though...
|
|
|
|
Post by jandl100 on Mar 22, 2020 7:50:07 GMT
Ah, so that's what he looks like.
Very fond memories of my JC-designed Parasaound Halo A21 amp; an 18 month keeper, a long time for me!
|
|
|
|
Post by macca on Mar 22, 2020 9:30:04 GMT
That was quite interesting. 'Seventh is death' lol.
|
|
|
|
Post by firebottle on Mar 22, 2020 12:39:14 GMT
Interesting to know where 44.1 came from, always thought that a strange figure.
|
|
|
|
Post by macca on Mar 22, 2020 12:51:17 GMT
I've read that before about it having to match the old Sony U-matic recorders - not Betamax as he says as that was a consumer format - but I don't know if it is really true. EDIT - no I'm wrong and he is right, it was Betamax: Betamax also had a significant part to play in the music recording industry, when Sony introduced its PCM (pulse-code modulation) digital recording system as an encoding box/PCM adaptor that connected to a Betamax recorder. The Sony PCM-F1 adaptor was sold with a companion Betamax VCR SL-2000 as a portable digital audio recording system. Many recording engineers used this system in the 1980s and 1990s to make their first digital master recordings.
en.wikipedia.org/wiki/Betamax
|
|
